The next time you go to a dance party, you might hear D∆WN getting played. Her music will have you jamming to synthy beats and illustrious vocal game. This third addition to the Danity Kane singer formerly known as Dawn Richard’s catalog takes another step further into her blending of dance music and R&B, and she almost does it to perfection. Her previous projects showed proof of the singer experimenting with her voice and production as she shifted to an electronic dance vibe. However, Redemption pushes things to the next level with a genre-bending sound that could keep both lovers of EDM and R&B fans interested.
The album kicks off with a slowly opened intro, a magical tune grabbed from a futuristic fairy tale to grab your attention. But things begin to change as it soon fades out to enter a tribal element. It unofficially foreshadows what you’ll encounter throughout the project – a mixture of soft vocals and lyrics embodied in powerful production. It really mirrors production from electronic artists like Rustie, Hudson Mohawke, and maybe Lion Babe. But D∆WN’s voice brings everything to another level.
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