Excerpt from Bandcamp Daily
In February 2018, Chicago producer Monte Booker posted a Snapchat story in which he created a beat using the noises made from items in his old home. Using his trusty Tascam DR-44WL recorder, Booker recorded himself shaking a bottle of water, a pepper grinder, and an empty box of crackers. He also recorded the sound of the faucet running, the two glasses clinking together, a faulty radio transmission, and the sound of his finger tapping a bongo. Then, he loaded the clips on his MacBook Pro, reworked them with his OP-1 Synthesizer, and made a beat from the collection of ordinary sounds. This is part and parcel of Booker’s work—other producers use drum kits and synths to build songs; Booker uses the sounds around him. That unique approach has made him a valued member of the Soulection community, and a critical part of Chicago crew Zero Fatigue’s success.
Born and raised in the South Side of Chicago, Booker’s career in music began as a hobby. When he was young, his tastes included everyone from Andre 3000 and Gucci Mane to Radiohead and Coldplay, but it was Pharell, Timbaland, and Flying Lotus who inspired him to make music of his own. “What [they were] doing with music kind of inspired me to incorporate my influence to make it my own type of vibe,” he says. Booker didn’t have a computer at the time; instead, he would go to his friend’s house to learn how to make beats using Fruity Loops. One Christmas, his mother, wanting to encourage his musical aspirations, bought him a $300 laptop, and it was then that his career began in earnest. Because he didn’t have any experience with live instrumentation, Booker would build his songs from sounds he found online. That worked for a while, but eventually, Booker got bored of searching for beat kits. “It started to get to me when it wasn’t inspiring to be going through those sounds,” he says. “They didn’t sound human.”